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视频简介

本剧讲述了与3个人格一起，重新审视工作与生活方式的自问自答系人间喜剧故事。作为房屋制造公司营业部职员的相田雄介每天都把避免麻烦放在首位，遇到危机时总有地方可以冲过去。那是大脑里的合租屋，恋爱至上主义的开朗积极型人格，冷静知性型人格，胆怯消极型人格共存。有天，一个爱惹麻烦的小职员调到了营业部，大脑出租屋的房客们顿时惴惴不安起来。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。